Tag Archives: music

Rolling Stones in Las Vegas on May 11, 2024

A lot of the fun of traveling to a Rolling Stones show from out of town is running into fellow concertgoers who are also from out of town. My friend Craig and I both flew to Las Vegas from the East Coast on Friday night — me from New York City, and him from Washington, D.C. — for the show on Saturday, May 11, 2024, at Allegiant Stadium. We spent the day Saturday checking out the strip. We stayed at Mandalay Bay, and we walked from there to Luxor, Excalibiur, New York, New York, MGM Grand, Paris, and Caesars Palace. All along the way when we weren’t playing the slots we saw many, and I mean a great very many, people wearing Stones tee shirts. Most of the wearers were Baby Boomer age. But some had children or even grandchildren in tow.  We usually nodded to one another or said hi and sometimes we chatted each other up about where we’re from. People were in Vegas from all over the country and even from overseas. In an elevator we ran into a couple from Australia who were going to Seattle next to catch the show there.

Craig and I went for an early dinner but found that most of the places already had long waits! (Note to anyone traveling from out of town for a show: If you plan to have dinner beforehand anywhere near the venue, be sure to go plenty early, because every restaurant in the vicinity is sure to be packed!) We kept looking and found a pizza place, where we were among many fellow diners also in town to see the Stones. Two in particular caught my eye. It was a man with a younger man who looked like his son. Both were wearing Stones tees and big smiles. They were absolutely glowing. They were talking to each other the whole time, not on their phones, and they were clearly enjoying each other’s company and experiencing this event together.

Getting to and from Allegiant Stadium for the concert was a breeze. We simply walked across the bridge, which the local cops had closed to vehicular traffic, from Mandalay Bay. There were lots of people coming in, but the lines moved quickly, and things went efficiently.  I guess Vegas is accustomed to large events like this. This is the same stadium where the most recent Super Bowl was played! On the way over the bridge, the late afternoon desert sun was blazing. Several water stations were set up along the way. Once we were on site, the biggest crowds were the lines for merch. I would have bought a tee to add to my collection, but the lines were too long!

Rolling Stones Las Vegas 2024

It was my 18th Stones show and Craig’s first. In the song vote, I chose All Down the Line and Craig wanted — and got —You Got Me Rocking. (The other two songs up for vote this night were Sad Sad Sad and Live With Me.) Craig also wanted — and got — Sympathy for the Devil and Honky Tonk Women, and he also wanted — but did not get — something from the Steel Wheels album. He predicted, correctly, that Start Me Up would be the first song.

Our seats were in the 300 level, Row A. I chose those seats because I wanted to be in the front row of a section. I could have easily stood and danced and moved and grooved through the entire show, but it’s scary up so high! Both Craig and I were a little bit afraid of the heights, and we chose to stay in our seats for most of the show, not only out of fear of falling but also because we did not want to block the view of anyone behind us who might also be sitting.

We chatted up the folks on each side of us, of course. The gentleman to my left said he had been to see many Stones concerts over the years starting in 1972. He said he still remembers when the song Satisfaction came out when he was 16! To Craig’s right was a couple from Vegas. Her name was Angie! It was her first Stones show, and she definitely wanted them to perform “my song” but sadly it was not in the cards this evening.

The Las Vegas show did offer a few surprises. Two songs, Let’s Spend the Night Together and Like a Rolling Stone, made their 2024 tour debuts. The next surprise was Keith doing TWO songs at this show after only performing one on the first three shows of this tour. He started with You Got the Silver followed by Little T&A, also known as She’s My Little Rock ’n’ Roll. Keith was in fine form. Craig remarked to me after the show that he looks so happy playing music.

They did Angry and Mess It Up from the new album, the latter of which sounded a bit messy but that’s totally OK with me. I wish they would add Bite My Head Off from the new album to the set. I was sure that would be the new You Got Me Rocking, and I am flabbergasted that they are not performing that yet! The only song that did not sound all that great, in my view, was Get Off My Cloud.  But Miss You and Paint It Black were both flawless. And Jumping Jack Flash never sounded better.

Mick’s stage banter included asking where everybody was from, and he also said that he and Keith came to Vegas for the first time in 1964, not to perform but to gamble. He said they stayed at the Flamingo and that he lost lots of money but tonight he was going to try to win it back.

Mick played harmonica on Miss You and on Like a Rolling Stone and, and he played guitar on several other songs including You Can’t Always Get What You Want.

For me one of the highlights of the show was Gimme Shelter, with Chanel Haynes. Chanel was fantastic, offering not only astounding vocals but facial expressions and physical gestures that were so very powerful. She put her whole body, voice, and soul into the song. Chanel returned for Sweet Sounds of Heaven, the first of two encore songs. I think Jagger added a new lyric, something along the lines of “Let the old feel like they are young” and hearing this addition to the song moved me greatly. Yes, the Stones are older than the rocks in the Grand Canyon, but they are indeed young. In my view, this tour is a triumph, especially because they are promoting a new album, Hackney Diamonds, and a solid effort at that. Even more impressive, is that they recorded most of it this very year. I can’t wait for the follow up to Hackney Diamonds. Meanwhile, as long as the Stones are still touring, I will be there and wearing a lips and tongue tee to boot.  I’m going to FOUR more shows this tour alone!

The Vegas setlist:

  1. Start Me Up
  2. Get Off My Cloud
  3. Let’s Spend the Night Together
  4. Angry
  5. Like A Rolling Stone
  6. You Got Me Rocking (vote song)
  7. Mess It Up
  8. Tumbling Dice
  9. You Can’t Always Get What You Want
  10. You Got the Silver (Keith on vocal)
  11. Little T&A (Keith on vocal)
  12. Sympathy for the Devil
  13. Honky Tonk Women
  14. Miss You
  15. Gimme Shelter
  16. Paint It, Black
  17. Jumping Jack Flash
  18. Sweet Sounds of Heaven (encore)
  19. Satisfaction (encore)

The opening band was The Pretty Reckless, featuring a female singer. I thought the band was fantastic, and she was charming. It must be difficult to open for the Stones, especially if you are a band that most audience members are not familiar with. I thought they did a nice, respectable set. I *always* attend the opening set. After all, if the Stones have invited a band to play on the bill with them, I am going to give that band some respect.

Before the show started, I told Craig that I was not going to take my phone out too much because there would be lots of pictures and videos posted to social media, as there always are, and sure enough, there were indeed. There was one post in particular that really made my day! Remember the father-son duo from the pizza place? They posted selfies from the show and, get this, it turns out they had Lucky Dip tickets and got Pit!

What a night, what a show.

See you at MetLife!

Respectable: A review of Hackney Diamonds

It’s been one month since the lads released their 26th US album, Hackney Diamonds. I have not stopped playing it since. It’s that good. And I am not just saying this because I am an obsessed fan. I am an obsessed fan. But I’m no schoolboy. I know what I like. My favorite flavor is cherry red, and you better believe I can do the hip shake baby.

Like most Stones albums, this one encompasses various musical styles and genres and demonstrates that, no matter how OLD they are, they still know what they’re doing.

Respectable: A review of Hackney Diamonds

According to the interviews the Stones have been giving as publicity to coincide with the release, they recorded the bulk of Hackney Diamonds over the course of only a few months. This is not a collection of discarded outtakes that have been recycled for the sake of putting something out, as evidenced by their new drummer, Steve Jordan, who is on most of the tracks. Charlie Watts, who died in 2021, is on two of the songs, and the album is dedicated to him. The whole album does indeed sound fresh, like it was recorded without too much fuss. It’s not over-produced. It is however, very Stonesy. And I like it, like it, yes I do!

My thoughts and notes:

  • The songs with the most Jagger swagger are Live By the Sword and Whole Wide World.
  • The songs with the grooviest Keith Richards riffs are Angry and Get Close. The latter features a wonderful bit of saxophone.
  • The hardest rocker is Bite My Head Off, a punk song. Paul McCartney appears on this one, and about halfway through, if you listen VERY closely, you can hear Mick call on the beloved Beatle: “Alright Paul, let’s hear some bass.”
  • According to the liner notes, Bill Wyman and Charlie Watts appear on Live By the Sword. Elton John is also on Live By the Sword, as well as Get Close.
  • The album is produced by a 33-year-old whippersnapper named Andrew Watt, whose parents I’m guessing had not even met yet when Tattoo You came out! Whatever Andrew Watt did, I give him much praise. He shares songwriting credit with the Glimmer Twins on three of the songs, and he plays bass on a few as well. Daryl Jones is not on the album at all.
  • The dramatic crescendo of the album is Sweet Sounds of Heaven, a gospel song featuring Lady Gaga on vocals. Stevie Wonder is on piano, and if you listen very closely after the pause toward the end, you can hear Mick whisper softly, “Play me something, Stevie.”
  • The final track on the album is a cover of the Muddy Waters song Rolling Stone Blues, which is the blues song from which the band derived its name. This sounds like it is just Keith on acoustic guitar and Mick on vocal and harmonica. They do it so very well, because the Delta blues is embedded in their souls.

My personal favorite is Depending On You, one of two country songs on the album. This song moves me more than any of the others, because it makes me think of my dear friend Steven S. Couse, who died in 2021, not long after Charlie. Steve, who was even more in tune with the Stones than I ever could hope to be, would have been very into this album. I do wish that he were here now to listen with me. I miss you, Steve!

You can call Hackley Diamonds a comeback album if you will. Most recently the Stones released Blue and Lonesome, a collection of blues covers, in 2016. Before that their most recent album of newly written material was A Bigger Bang, which was also a very strong album, back in 2005.

But in my view, this is the most important album the Stones have released in a long time. You think the party is over but it’s only just, only just begun! Yes, these songs are strong enough for the band tour on. Angry will fit nicely in the set list between Honky Tonk Women and Start Me Up. Whole Wide World, Bite My Head Off, Live By the Sword, and Mess it Up all absolutely, 100 percent need to be played live. And Sweet Sounds of Heaven will be fantastic as the show’s closer. Speaking of which, if you haven’t yet seen the 7-minute rendition of Sweet Sounds of Heaven with Lady Gaga, recorded live before 700 lucky attendees on Oct. 19 at their surprise album launch gig at Racket in NYC, it is highly recommended. You can find it on YouTube without too much trouble.

I took my sisters to see the Rolling Stones in Detroit

Mick, Keith, and Ronnie all looked fit, trim, and healthy — both physically and emotionally. And they look like they are generally having fun on stage. At least that is my own impression from looking at the expressions on their faces, blown up large on the video. Also apparent on the big screens: A wonderful chemistry between Mick and Keith. Yes, the lads were in top form last week at Fold Field in Detroit on November 15, 2021. It was a fantastic show.

It was my 17th time seeing the Stones live. My first time was 1989 in East Troy, Wisconsin, during the band’s Steel Wheels tour. At that time, I thought that it was my one and only chance to see them. I did not know then that I would one day move to New York City and see the Stones many more times at Madison Square Garden and eventually even at the Barclays Center in Brooklyn!

But this tour they didn’t come to New York city, so I decided to fly to my home state of Michigan. I took my three sisters, who are all younger than me, to the show as my guests. For the older of my sisters, it was her second time seeing the Stones. It was the first Stones show for my other two sisters. We sat about halfway back in Section 121, which gave us a good vantage point. What I like about a Stones crowd is that it is friendly and civilized.

Rolling Stones Ford Field Nov 15 2021

We stayed at the Athenium hotel, which was just a few blocks away from Ford Field. Everyone at the hotel was there to see the Stones. I also did some sightseeing earlier in the day, and again everywhere I went there were other Stones fans. There’s a good feeling of camaraderie when you see other Stones fans out and about, whether you say hello or just nod.

The opening act was Ayron Jones, whom I had never heard of before. He performed a 35- or 40-minute set with his band. Lots of impressive guitar playing. And a very large, shirtless drummer. It was a solid performance. There was some confusion in the crowd before he came on, because an official email from Fold Field before the show said that “Ghost Hounds” was the opening act.

Another bit of confusion came from the local Fox 2 news program the night before the show, which I just happened to catch while channel surfing. They said that Martha Reeves was going to be performing with the Stones as a special guest. But that turned out not to be the case when the Stones played Ain’t Too Proud to Beg as their Motown Tribute. After the show Martha Reeves was pictured backstage with the band members in various social media posts.

Mick said from the stage it was the band’s third time performing at Ford Field, including the Super Bowl halftime. He also said it was their 21st time performing in Detroit, the first show being in 1964. That was before I was born!

Here are a few more notes on Detroit 2021:

  • I though the opener, Street Fighting Man, was fantastic.
  • There was a nice extra bit at the end of You Can’t Always Get What You Want.
  • Honky Tonk Women was fun seeing the closeup of Keith’s guitar work on the big screens. And the animations of exotic women, which to me looked like they were tattoos come to life, were clever!
  • In my opinion one of the best songs of the evening was Ghost Town, their newest song. Mick played harmonica on this one, and he also led the audience in a chant.
  • Midnight Rambler was another highlight, also featuring Mick’s harmonica. This is one of my very favorite songs to see and hear them perform live. I really like the way they make this song different every time and change the tempo. At one point Mick broke into a few lines of the Robert Johnson song Come on in my Kitchen. Very cool.
  • Gimme Shelter, the first encore song, featured a fantastic Sasha Allen on vocals and she joined Mick on the B Stage. She really put her heart and soul into it, as evident in her facial expressions. She’s possessed by the spirits of Merry Clayton and Lady Gaga with some Tina Turner and Janis Joplin thrown in for good measure.
  • Wild Horses was the “vote” song. My three sisters all voted for it, and I have no doubt that their votes put the song over the top. I had voted for Sweet Virginia, but I’m really glad it turned out to be Wild Horses. They performed it so beautifully. And I’m so very glad that one of the three songs from that famous recording session at Muscle Shoals was played live.
  • And God bless Steve Jordan. I think he did a fantastic job. Others have said that he seems to be banging on the drums a bit harder than Charlie ever did, and this might be the case. Charlie always made his playing seem effortless somehow. I do think that the opening video tribute to Charlie, as well as them dedicating the show to Charlie, was a proper way to show him respect. Everyone misses Charlie of course. Yet I for one am so glad the Stones are playing on — and that they are doing so with Charlie’s blessing.

 

The Stones came on stage at approximately 8:45 p.m. and played until 11. Here’s the complete set list, in order:

  1. Street Fighting Man
  2. You Got Me Rocking
  3. 19th Nervous Breakdown
  4. Tumbling Dice
  5. Ain’t Too Proud to Beg
  6. Wild Horses (the song voted on before the show)
  7. You Can’t Always Get What You Want
  8. Living in a Ghost Town
  9. Start Me Up
  10. Honky Tonk Women
  11. Connection (sung by Keith)
  12. Before They Make Me Run (also sung by Keith)
  13. Miss You
  14. Midnight Rambler
  15. Paint It Black
  16. Sympathy For The Devil
  17. Jumping Jack Flash
  18. Gimme Shelter (first encore song)
  19. Satisfaction (final encore)

I have noticed a reaction in myself every time I see the Stones play live. At some point, I get emotional. And the tears come at the most unexpected times. On Monday night it was during 19th Nervous Breakdown, of all songs. When Mick and Keith leaned in together and sung the nigh note into the same microphone. It just lasted a moment, but when Mick and Keith are performing together like that, all is right with the world. I hope they never, ever stop performing live.

Lena Horne

If you happen to have the soundtrack to the 1994 film “The Adventures of Priscilla, Queen of the Desert,” then play Track 8, “A Fine Romance,” in which the singer laments being in a relationship with a partner who does not reciprocate in the physical affection department. It’s a snappy little song with clever lyrics that are made even more interesting by the way they are delivered, by the one-and-only Lena Horne. She’s completely in command, and the orchestra sounds fantastic. It’s one of hundreds of songs this wonderful singer recorded over many decades.

Lena Horne had a long career in Hollywood movies, on the Broadway stage, on television, as a performer in nightclubs, and as a recording artist. She was not the first black actress to appear on the big screen, but she was the first to be given the Hollywood glamour treatment. She was definitely a groundbreaker. Sadly, racism touched just about every aspect of her life and work.

Lena Horne was born in Brooklyn to a large, privileged family that was presided over by her maternal grandmother. But when Lena was very young her mother, an aspiring singer and actress, took her away to travel with her as she sought work as a performer. Her mother often left young Lena to live for weeks or months at a time with various friends and relatives. It must have been difficult for such a young girl.

When she was still in her teens Horne got a job performing in the chorus at the Cotton Club, up in Harlem. All the performers were black, and all the patrons were white. The black performers had to come in the back door, and if black relatives of the performers came to see the show they had to sit at a “family table,” which was of course in the back next to the kitchen.

Lena Horne by James Gavin

From there Horne went on tour with a traveling orchestra and eventually went out to L.A. and performed at the Café Trocadero. Soon after, with the help of Walter White of the NAACP, she signed a contract at MGM to appear in movies. This was a big deal back then, because it was the Golden Age of Hollywood and the major studios were at the peak of their creative output. White wanted to use Horne to help improve the image of black people in movies, promising that she would never have to play a maid. But to Horne’s disappointment she was not destined to be a big star with leading roles. She appeared in about a dozen films for MGM, mostly in the 1940s. She could be given one song to perform that had nothing to do with the plot. This made it possible for her appearance in a movie to be edited out when it was shown in the racist South.

Eventually Horne stopped making movies and instead developed her nightclub act. She got really good, too, performing in some of the best rooms, including the Sands in Las Vegas and the Waldorf-Astoria in New York. She recorded live albums at these venues that were commercially successful. She also recorded dozens of studio albums, and while those were not always commercially successful, they were almost always artistically successful. She had learned to put emotion into her songs. It’s just a hunch on my part, but I’m thinking that in the recording studio many years after she left Hollywood and she was singing “A Fine Romance,” she was not lamenting a lover but rather her experience at MGM. She was hoping for fireworks but instead got bottle rockets.

James Gavin Lena Horne
Lena Horne in ‘Till the Clouds Roll By’ (1946). (Public domain/studio publicity still)

In the 1960s Horne got involved in the civil rights movement. The new president, John F. Kennedy, was dragging his feet on helping Americans who were black, and leaders from the NAACP and other groups began holding the administration’s feet to the fire. They demanded a sit-down, and Horne participated in a meeting in New York City with black activists and Attorney General Bobby Kennedy. She also traveled to Jackson, Mississippi, where she met Medgar Evers and participated in a rally organized by the civil rights leader. On this trip she also met with a group of black children who were learning how to defend themselves against beatings by racist cops, and she sang at a church concert. Less than a week later Horne was waiting in the ABC studios, about to go on the “Today” show with Hugh Downs, when she learned, just moments before airtime, that Evers had been murdered. It was difficult for her to keep her composure.

Horne also took part in the March on Washington in 1963, when Martin Luther King Jr. gave his memorable speech. Horne did not give a speech herself, but she did go to the microphone to shout the word “Freedom!” so that marchers knew that she was there.

Also during the 1950s, ’60s and ’70s, Horne appeared on various television shows, including “The Ed Sullivan Show,” “The Judy Garland Show,” “The Muppet Show” and “Sesame Street.” She returned to the big screen in 1978, in “The Wiz,” playing Glinda. And she continued to record many albums.

I learned all this reading “Stormy Weather: The Life of Lena Horne,” an all-encompassing, 500-page biography by the author and journalist James Gavin, who has written many highly regarded books, including one on Chet Baker and another on the history of New York’s cabaret scene. I happen to be personally acquainted with the author. We’ve stayed at the same house at Fire Island. His knowledge about 20th Century popular American music is unrivaled by anyone I’ve ever met. He’s the kind of person who has never walked or driven past a record store without going inside. His music collection is legendary. For me it was great fun to read about Lena Horne in a book written by someone I know! He patiently and graciously answered many questions I had.

For me, some of the highlights of the book included the author’s description of what the Cotton Club was like. He also describes aspects of the studio system that existed in Hollywood back in that era, and he includes in-depth details such as what type of makeup was used on Horne’s complexion for filming. He leaves nothing out. The book includes a number of really nice photographs of Lena Horne taken throughout her life. In most of the pictures, at least to my eye, she looks like she is having a good time, especially when she is with her daughter, Gail.

The author also includes a discography and a filmography at the back. I found myself flipping back and forth quite a bit. Several times I found myself looking up scenes from some of the movies in which Horne appeared on YouTube. And more than once I ordered some of her albums from Amazon. When playing one of these CDs, a Collectibles version of “At the Waldorf Astoria” and “At the Sands,” which were recorded in front of her live audience (of mostly rich white people), I can literally hear the emotions described by the author in her voice. For anyone who is a fan of Lena Horne or who would simply like to learn more about this important American artist, I can’t recommend this book enough.

Here are some additional notes from this excellent biography:

  • Lena Horne was married twice and had two children, a son and a daughter, with her first husband.
  • Her second husband was Lennie Hayton, who was white and Jewish. He was a bandleader, and they worked together. As an interracial couple, they faced housing discrimination in Los Angeles and in New York City.
  • She worked hard on her singing and was constantly improving.
  • She had a fiery temper.
  • She often went to the movies alone.
  • When she was first hired at MGM and went to get her hair done, a hairdresser refused to work on her because she was black.
  • Also in Hollywood, she met Hattie McDaniel and Butterfly McQueen, who had both been in “Gone With The Wind.”
  • She was investigated by the House Un-American Activities Committee.
  • She had flings with many fellow celebrities, including Orson Welles, Joe Louis and even Vincente Minnelli!
  • Her close friends included Ava Gardner.
  • She was in a Broadway musical with Ricardo Montalban.
  • She admired the singing of Aretha Franklin.
  • During World War II, Horne entertained in various USO shows and was infuriated when white German POWs were seated in the front and black U.S. service members in the back.
  • Also during the war years, Horne paid multiple visits to Tuskegee, Alabama, to support the Tuskegee Airmen, the courageous group of black fighter pilots. She made several trips at her own expense and on her way home from one particular visit she stopped at an airport diner but was denied service because she was black. But that didn’t stop a boy from the kitchen from asking for her autograph as she was leaving, which she gave him.
  • On a dinner date once with her husband at a fancy establishment, she threw an ashtray at a guy who called her a racial slur, clobbering him and causing him to bleed from the head. The incident got in the papers the next day.
  • When she appeared in “The Wiz,” the director, Sidney Lumet, was her son in law!
  • Lena Horne recorded the song “A Fine Romance” more than once. The version I like, the one on the Priscilla soundtrack, is from her 1988 album “The Men in My Life.”
  • The title of the book comes from the song “Stormy Weather,” which Horne performed in a film of the same name. It was her signature song.

In the early 1980s Horne did a one-women Broadway show, “Lena Horne: The Lady and Her Music,” which was a big hit. As the author explains, this was her version of her story, told the way she wanted to tell it, which was not 100 percent accurate in all aspects. But the audiences loved it, and Horne took the show on tour and also filmed it for TV. It turned into a “victory lap” of sorts, allowing her to put a nice exclamation mark on her long career as an entertainer. At the 1981 Tony Awards ceremony she received a special award for her show and then performed “Believe in Yourself,” her song from “The Wiz.” This is easy to find on YouTube. It’s a powerful performance that brings a tear to my eye no matter how many times I watch the clip.

Lena Horne took me away from the U.S. presidents for a while, but I sure am glad I took the time to read about her. What a remarkable life she had. Speaking of the presidents, she lived long enough to see Barack Obama elected!

 

 

 

 

 

Ron Wood pays tribute to Chuck Berry

On a sizzling new live album, Rolling Stones guitarist Ronnie Wood pays tribute to Chuck Berry. It’s called “Mad Lad: A Live Tribute to Chuck Berry.” Ronnie Wood plays guitar on all the songs, and he sings on most of them. I’m not the biggest fan of Ronnie Wood on lead vocals, because his singing voice reminds me more of Bob Dylan than Mick Jagger. But his guitar playing is fantastic, and his band is really tight. They are billed as Ronnie Wood With His Wild Five. The album was recorded at a small theater in Dorset, England.

Ron Wood CD review Fred Michmershuizen

The CD opens with “Tribute to Chuck Berry,” a song by Wood, followed by the Chuck Berry covers. Many of the songs are instantly recognizable, while others are lesser known. Some of them, including “Talking About You” and “Little Queenie,” have been recorded by the Stones. “Wee Wee Hours” features Imelda May on vocals with Ronnie Wood and is the CD’s best song. Other standouts include “Almost Grown,” which is Ronnie’s best vocal of the evening, “Blue Feeling,” “Rock and Roll Music” and “Mad Lad,” the album’s title track, which is an instrumental. But all the songs are fantastic. If you’re a Stones diehard like me, this album is a must for your collection!

 

Herbert Hoover

He tried so hard to pull our country out of the worst economic disaster it ever experienced before or since, what would become known as the Great Depression. Even before the Wall Street crash of October 1929, which came just months after his inauguration, Herbert Hoover knew the stock market was a speculative bubble. He had taken steps to address this, but few would listen. After the crash he immediately called captains of industry to the White House and got them to promise not to implement massive layoffs or pay cuts. He also persuaded union leaders to agree not to stage any labor protests or strikes during this time of crisis. His efforts worked for a while, but soon it became evident that this was more than just a cyclical recession.

It was really a problem with worldwide dimensions. It was brought about by factors that included a massive global trade imbalance, poor international monetary policy, and how governments were maintaining or not maintaining a gold standard. It was all complicated by the massive debts and reparations owed after the war in Europe. The depression was much worse overseas, and in Germany the government was about to collapse. Here at home, Hoover got Congress to agree to a moratorium on German debt and reparations payments. He also called for private relief through organizations like the Red Cross. And he encouraged state and local governments to implement local infrastructure projects to help spur employment.

But when Britain abandoned the gold standard it set off another round of misery here, causing massive bank failures. Hoover gathered the nation’s top banking executives to Washington to establish what would become the Reconstruction Finance Corporation (RFC), which was an effort designed to keep credit flowing and banks liquid. Finally, thinking that the economy was soon to improve, Hoover set out to raise taxes and cut spending in an effort to balance the federal budget and thus demonstrate that the government was on solid footing.

When Hoover implemented these measures, the economy would perk up for a few months at a time, only to fall off again. There seemed to be no end in sight to the misery. It’s therefore no surprise that Hoover became a one-term president. In the election of 1932, New York Governor Franklin Delano Roosevelt beat Hoover decisively, winning 472 electoral votes vs. 59 for Hoover, and getting 57.4 percent of the popular vote to Hoover’s 39.7 percent.

 

Today’s book report is on “Hoover: An Extraordinary Life in Extraordinary Times” by Kenneth Whyte. It’s a fitting title for someone who was active in public life not only during the Great Depression, but also during both World War I and World War II, and the start of the Cold War. At more than 600 pages with thoughtful insight and analysis, I found this book a pleasure to read. It’s certainly one of the best presidential biographies I have yet encountered. I learned so much, not only about Hoover but also about the momentous times in which he lived.

Elected to our nation’s highest office in 1928, Herbert Hoover was our nation’s 31st president. He was a Republican who had never before held elective office. But he was no stranger to the federal government, having served in three previous administrations.

A native of West Branch, Iowa, Hoover was the first president born west of the Mississippi. He was also the first Quaker to be elected president. He was orphaned when he was just 9 years old and was sent to live with relatives in Oregon. His early childhood trauma likely affected his emotional development, leading to lifelong social awkwardness and an inability to connect with others on a human level. He didn’t like “glad handing” or kissing babies as so many other politicians do. He was among the first students to attend Stanford University, where he studied engineering. After college he got a lucrative job working for a British mining company, and he traveled to Australia and China to develop mines. He was really good at this, and he made tons of money for the company and for himself. He eventually settled in London, where he started his own firm.

In business Hoover had developed immense organizational and managerial abilities, and when war broke out in Europe he put these talents to use, first by helping Americans stranded abroad get home safely, and then later by organizing massive humanitarian relief for the people of Belgium, who were starving. After the war, Hoover joined President Woodrow Wilson’s delegation to the Paris peace talks and later organized more humanitarian relief, this time for all of Europe. President Warren G. Harding, who was elected in 1920, gave Hoover a cabinet post — Secretary of Commerce — and he stayed on in that post under Calvin Coolidge after Harding died in office.

Hoover was an excellent commerce secretary. In an effort to streamline business activity and eliminate waste, he gathered and published immense amounts of data and called for improvements to the nation’s infrastructure as well as preservation of natural resources. He helped get the Radio Act of 1927 signed into law under Coolidge, which regulated and helped organize the nation’s airwaves. Importantly, Hoover also set out to standardize construction materials and consumer products, everything from screws to bricks to automobile tires and even baby bottles. According to the book, Hoover’s standardization of home building materials reduced the price of a new house by a third, making home ownership more achievable for many Americans.

These initiatives all fit in with Hoover’s worldview, that government should help foster business growth and stability without intervening directly. In other words Hoover was not a laissez faire capitalist, nor could be he called a socialist. He was rather a champion of a so-called “third alternative.”

When a great flood of the Mississippi River caused widespread devastation in 1927, Hoover performed the duties of what a good FEMA director would do today, organizing relief efforts and saving many lives and livelihoods. He relied in large part on private donations.

In 1928, after Coolidge declined to seek another presidential term, Hoover received the Republican Party nomination. He won in a landslide, receiving 444 electoral votes to 87 for the Democratic nominee, Al Smith of New York. The popular vote in 1928 was 58.3 percent for Hoover and 40.8 percent for Smith.

When Hoover began his term of office the first thing he did was get in a huge fight with Congress — over tariffs! The Republicans controlled both houses, but Hoover lacked the political savvy and the inside connections needed to get legislation through. In the midterm elections of 1930, the Democrats gained seats in the House but the Republicans maintained control. Then late in Hoover’s term several Republican representatives died, causing power in the House to flip to the Democrats. Interestingly, when this happened Hoover was able to get legislation passed more easily.

Hoover was president during the Prohibition era. Early in his presidency Hoover convened a commission to study the issue, but when it recommended that the Volstead Act, which was the federal government’s enforcement mechanism against booze, be revised, and Prohibition itself be revisited, Hoover did not act. To his credit, Hoover had wisely called Prohibition an “experiment” in the 1928 campaign, but at heart Hoover was more of a “dry.” In the election of 1932 the Democratic Party platform called for outright repeal of the 18th Amendment, and FDR campaigned on repeal. This might have contributed to FDR’s lopsided victory over Hoover.

As a former president, Hoover lived for many more decades and continued to serve his country. He chaired two Hoover Commissions, one under President Truman and one under President Eisenhower, to help eliminate redundancies in the administrative branch and to help make the federal government run more efficiently.

After leaving office Hoover lived for a time in a large house in California, but he eventually moved to New York City, living in a suite at the Waldorf Astoria Hotel. He died in 1964 at age 90, outliving both FDR and JFK.

Also after his presidency, Hoover spoke out publicly and privately against FDR. In my view, some of Hoover’s criticism of his successor was sour grapes, but in other respects it was warranted. Hoover thought that FDR should not have let the United States recognize the Soviet Union, and he was infuriated that so many people ended up living under an iron fist after the second world war. Hoover also was troubled by the New Deal, thinking that the federal government was getting too big and interfering too much in industry. According to the book, the elder statesman Hoover became the spiritual godfather of the modern conservative movement, influencing thinkers such as William F. Buckley Jr.

Nevertheless, after the Depression Hoover was branded a failure, and that sentiment lasted for many generations. This may or may not have been fair. I tend to think that it was unfair. In 1932 and in his subsequent presidential campaigns, FDR and his Democratic Party had been especially nasty toward Hoover. As part of a Democratic Party smear campaign, shantytowns during the depression were dubbed Hoovervilles — a term that continued to be used even during FDR’s many years of being president during the Depression.

This blaming the Depression on Hoover even carried over into popular culture. For example, the Broadway musical “Annie” features a song called “Thank you Herbert Hoover,” which is a sarcastic thank you. And in the popular song “I’m Still Here” by Sondheim, from the show “Follies,” a woman of a certain age reflects on her life, remembering living through the Depression and many other ups and downs. “I lived through Herbert and J. Edgar Hoover, that was fun and a half,” she sings. “When you’ve lived through Herbert and J. Edgar Hoover, everything else is a laugh.”

It must have been difficult to be Herbert Hoover, especially during the FDR years. He was unpopular, yet, according to the book, when everyday Americans encountered him they wanted to shake his hand. Sadly, Hoover was not emotionally capable of reciprocating these affections.

Here are some additional facts about Herbert Hoover:

  • He married Lou Henry, and they had two sons, Herbert Jr. and Allan. Lou Hoover was an extraordinary woman in her own right. She had been a tomboy. In a picture included in the book, she resembles Annie Oakley! She rode horses and drove cars. She even drove coast to coast by automobile through the Rocky Mountains, at a time when there were few paved roads. The trip took a month. She preceded her husband in death by many years.
  • Speaking of the song mentioned above, Herbert Hoover was not related to longtime FBI director J. Edgar Hoover.
  • Those who are old enough might also recall Hoover being affectionately recalled in “Those Were the Days,” the theme song for the long-running TV show “All in the Family.”
  • He had a brother and a sister.
  • He was a hard worker.
  • He smoked lots and lots of cigars.
  • He was bad at spelling.
  • He had a habit of jangling coins in his pocket.
  • He enjoyed fishing in the Florida Keys, always while wearing a jacket and tie!
  • Also not related to longtime White House usher Ike Hoover.
  • Also, there was no connection to the vacuum cleaner.
  • But the Hoover Dam, however, is named after the 31st President.
  • He founded the Hoover Institution at Stanford.
  • He also invented a game, called Hooverball, in which he would throw a medicine ball with colleagues on White House grounds, for exercise.
  • He was in China during the Boxer Rebellion.
  • He was not implicated in any of the scandals that befell the Harding administration.
  • He was uncomfortable with ceremonial duties, and he was not good at face-to-face interactions with the general public, or at working crowds.
  • He wrote many books, the most notable of which included “The Ordeal of Woodrow Wilson,” about the Paris peace conference after World War I.

And that’s Herbert Hoover. Before reading Whyte’s excellent biography, I knew almost nothing about the man. I found his life to be absolutely fascinating. As the author pointed out, Herbert Hoover knew every president from Theodore Roosevelt to Richard Nixon and served under five of them, both Democratic and Republican, in addition to his own term in the White House.

Even more importantly, the author estimates that during his lifetime Hoover saved 100 million lives, through his humanitarian work during and after World War I and later after the Mississippi flood of 1927. That’s something to admire. I am so glad I took the time to learn more about this important American and his many achievements.

Herbert Hoover (Library of Congress photo)

 

The electoral college results in 1928 show Hoover winning in a landslide over Smith.

 

The electoral college results in 1932 show Hoover defeated in a landslide by FDR.

 

Bill German at the New York Public Library

Longtime Rolling Stones insider Bill German presented a talk today at the New York Public Library on West 53rd Street. As many Stones fans know, Mr. German wrote and edited a newsletter about the band for many years. He went on tour with them, he hung out backstage and was welcomed into their homes and hotel rooms. He subsequently wrote about his adventures in a page-turner of a book that he cleverly titled “Under Their Thumb: How a Nice Boy From Brooklyn Got Mixed Up With the Rolling Stones (and Lived to Tell About It).” Bill also collaborated on a book with Ron Wood about Mr. Wood’s paintings and drawings.

Bill German Under Their ThumbIn my opinion, “Under Their Thumb” is the best book about the Stones — and trust me, I have read many books about the Stones. And in addition to being a gifted writer, Bill is also a terrific public speaker. This was my second time hearing him tell his story. Bill does impersonations of Mick, Ron and Keith, and the way Bill does this you really feel like you are there. During his presentation today, Bill shared pictures and fun anecdotes, including what it was like to hang out in Ron Wood’s basement when people like Stevie Ray Vaughn would pop by at 3 a.m., Keith’s hosting a “lunch” at 8 p.m. — and what happened when he spilled orange juice on Mick Jagger’s rug!

The room was filled with dozens of serious fans who, like me, were hanging on to Bill’s every word. Before and after the presentation, Bill spoke with his fellow Stones fans and signed copies of his books. I picked up extra copies of both the books that he had available, which I will be sending along to out-of-town friends and fellow Stones devotees Gary and Steve. Bill was gracious enough to sign these. He also answered all questions from those in attendance. I had a question of my own I wanted to ask, but I will ask that of Bill another day.

Bill German Ron Wood bookBill German Rolling Stones

Still Life: American Concert 1981

In 1981, the Rolling Stones were at the top of their game. They had a No. 1 album, “Tattoo You,” from which the first single, Start Me Up, was a smash hit on the radio. They also had videos running constantly on a brand new cable station called MTV. The band’s tour that year was arguably the biggest any rock band ever done to date, filling large outdoor stadiums and sports arenas, including the Pontiac Silverdome. (I happened to be just starting high school at the time, and was therefore too young to go to the show.) Opening acts for the Stones that tour included Journey and George Thorogood. With the exception of bass player Bill Wyman, the lads were all still in their 30s. Mick Jagger, trim and fit and with long hair, wore football pants and performed shirtless through much of the show. Then for the encore (usually the song Satisfaction, some nights Street Fighting Man), he would come out on stage wearing a colorful cape made of the British and American flags sewn together. He sang into a cordless microphone, which he stuffed into his crotch while running about the stage during the instrumental bits.

Documenting this tour was a live album, released the following year, called “Still Life: American Concert 1981.” This is not considered one of the best Rolling Stones albums, but it was the first one that I ever bought. I got it at Meijer Thrifty Acres. I remember the DJ Allison Harte talking about the album on WLAV when it came out and playing songs from it. I also remember that at first I was not hugely impressed. My biggest complaint was the album’s length. It was just 10 songs! For some reason I thought this was a recording of a complete concert. I wondered what kind of band would only play for 45 minutes? It was not until years later that I learned that the Stones played 25 or more songs on that tour, for close to three hours each night.

At some point I was in my room playing the record with all the lights off (as I did back then) and it was one specific moment in the song Twenty Flight Rock, where the other members of the band give a brief pause while Mick sings a line, that got me. I can’t explain it. It was something about the band’s ability to do that, to be so precise, so tight, that got me hooked. I learned later that Twenty Flight Rock was an Eddie Cochran song that the Stones were doing a cover version of. They also did a cover of the Smokey Robinson and the Miracles song Going to a Go-Go, which got airplay on the radio and on MTV. But it was the song Twenty Flight Rock, all one minute and 45 seconds of it, that initiated my love for the Rolling Stones.

Here are a few additional notes about the 1981 Stones tour and the “Still Life” album:

  • The album contains an “intro” of Duke Ellington’s Take the A Train and an “outro” of Jimi Hendrix’s rendition of the Star Spangled Banner from Woodstock. Both the intro and outro were played at the concerts, the latter as fireworks exploded over the crowd.
  • The album artwork is by the Japanese artist Kazuhide Yamazaki, based on his colorful stage backdrops used on the tour.
  • In addition to the album, there was also a concert movie, directed by Hal Ashby, called “Let’s Spend the Night Together,” which was filmed at the 1981 Stones shows at Sun Devil Stadium in Tempe, Ariz., and at the Brendan Byrne Arena in East Rutherford, N.J. The movie came out in 1983 and was shown in movie theaters.
  • There was also a televised pay-per-view special with radio simulcast for the final show of the tour, at Hampton Coliseum in Hampton, Virginia. In 2014, this concert was released as a CD/DVD set, titled “From the Vault: Hampton Coliseum (Live in 1981).”
  • Following the 1981 tour of the USA, the Stones went on a big tour of Europe in 1982. They did not tour again until 1989.

If you get the “Still Life” album, listen to the song Twenty Flight Rock and let me know what you think. Also listen to the song Let Me Go (from their 1980 album Emotional Rescue, which opens Side 2) and tell me if you can count the number of different ways Mick sings the word “hey” and how he turns that one word into a whole sentence just about every time he sings it. You might also get hooked on the opening song, Under My Thumb, or by Shattered, or by Let’s Spend the Night Together, which is played with guitars rather than on piano.

And then there’s their live rendition of Time Is On My Side, which is played and sung with such emotion. By this time the Stones had been performing so long together that his song had real meaning for them and their fans, yet I was just starting to get to know them.

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