Oh no! I just found out I was singing this song wrong! “It’s the honky tonk women that give me the honky tonk blues” — I was missing the “that”!
On a sizzling new live album, Rolling Stones guitarist Ronnie Wood pays tribute to Chuck Berry. It’s called “Mad Lad: A Live Tribute to Chuck Berry.” Ronnie Wood plays guitar on all the songs, and he sings on most of them. I’m not the biggest fan of Ronnie Wood on lead vocals, because his singing voice reminds me more of Bob Dylan than Mick Jagger. But his guitar playing is fantastic, and his band is really tight. They are billed as Ronnie Wood With His Wild Five. The album was recorded at a small theater in Dorset, England.
The CD opens with “Tribute to Chuck Berry,” a song by Wood, followed by the Chuck Berry covers. Many of the songs are instantly recognizable, while others are lesser known. Some of them, including “Talking About You” and “Little Queenie,” have been recorded by the Stones. “Wee Wee Hours” features Imelda May on vocals with Ronnie Wood and is the CD’s best song. Other standouts include “Almost Grown,” which is Ronnie’s best vocal of the evening, “Blue Feeling,” “Rock and Roll Music” and “Mad Lad,” the album’s title track, which is an instrumental. But all the songs are fantastic. If you’re a Stones diehard like me, this album is a must for your collection!
He tried so hard to pull our country out of the worst economic disaster it ever experienced before or since, what would become known as the Great Depression. Even before the Wall Street crash of October 1929, which came just months after his inauguration, Herbert Hoover knew the stock market was a speculative bubble. He had taken steps to address this, but few would listen. After the crash he immediately called captains of industry to the White House and got them to promise not to implement massive layoffs or pay cuts. He also persuaded union leaders to agree not to stage any labor protests or strikes during this time of crisis. His efforts worked for a while, but soon it became evident that this was more than just a cyclical recession.
It was really a problem with worldwide dimensions. It was brought about by factors that included a massive global trade imbalance, poor international monetary policy, and how governments were maintaining or not maintaining a gold standard. It was all complicated by the massive debts and reparations owed after the war in Europe. The depression was much worse overseas, and in Germany the government was about to collapse. Here at home, Hoover got Congress to agree to a moratorium on German debt and reparations payments. He also called for private relief through organizations like the Red Cross. And he encouraged state and local governments to implement local infrastructure projects to help spur employment.
But when Britain abandoned the gold standard it set off another round of misery here, causing massive bank failures. Hoover gathered the nation’s top banking executives to Washington to establish what would become the Reconstruction Finance Corporation (RFC), which was an effort designed to keep credit flowing and banks liquid. Finally, thinking that the economy was soon to improve, Hoover set out to raise taxes and cut spending in an effort to balance the federal budget and thus demonstrate that the government was on solid footing.
When Hoover implemented these measures, the economy would perk up for a few months at a time, only to fall off again. There seemed to be no end in sight to the misery. It’s therefore no surprise that Hoover became a one-term president. In the election of 1932, New York Governor Franklin Delano Roosevelt beat Hoover decisively, winning 472 electoral votes vs. 59 for Hoover, and getting 57.4 percent of the popular vote to Hoover’s 39.7 percent.
Today’s book report is on “Hoover: An Extraordinary Life in Extraordinary Times” by Kenneth Whyte. It’s a fitting title for someone who was active in public life not only during the Great Depression, but also during both World War I and World War II, and the start of the Cold War. At more than 600 pages with thoughtful insight and analysis, I found this book a pleasure to read. It’s certainly one of the best presidential biographies I have yet encountered. I learned so much, not only about Hoover but also about the momentous times in which he lived.
Elected to our nation’s highest office in 1928, Herbert Hoover was our nation’s 31st president. He was a Republican who had never before held elective office. But he was no stranger to the federal government, having served in three previous administrations.
A native of West Branch, Iowa, Hoover was the first president born west of the Mississippi. He was also the first Quaker to be elected president. He was orphaned when he was just 9 years old and was sent to live with relatives in Oregon. His early childhood trauma likely affected his emotional development, leading to lifelong social awkwardness and an inability to connect with others on a human level. He didn’t like “glad handing” or kissing babies as so many other politicians do. He was among the first students to attend Stanford University, where he studied engineering. After college he got a lucrative job working for a British mining company, and he traveled to Australia and China to develop mines. He was really good at this, and he made tons of money for the company and for himself. He eventually settled in London, where he started his own firm.
In business Hoover had developed immense organizational and managerial abilities, and when war broke out in Europe he put these talents to use, first by helping Americans stranded abroad get home safely, and then later by organizing massive humanitarian relief for the people of Belgium, who were starving. After the war, Hoover joined President Woodrow Wilson’s delegation to the Paris peace talks and later organized more humanitarian relief, this time for all of Europe. President Warren G. Harding, who was elected in 1920, gave Hoover a cabinet post — Secretary of Commerce — and he stayed on in that post under Calvin Coolidge after Harding died in office.
Hoover was an excellent commerce secretary. In an effort to streamline business activity and eliminate waste, he gathered and published immense amounts of data and called for improvements to the nation’s infrastructure as well as preservation of natural resources. He helped get the Radio Act of 1927 signed into law under Coolidge, which regulated and helped organize the nation’s airwaves. Importantly, Hoover also set out to standardize construction materials and consumer products, everything from screws to bricks to automobile tires and even baby bottles. According to the book, Hoover’s standardization of home building materials reduced the price of a new house by a third, making home ownership more achievable for many Americans.
These initiatives all fit in with Hoover’s worldview, that government should help foster business growth and stability without intervening directly. In other words Hoover was not a laissez faire capitalist, nor could be he called a socialist. He was rather a champion of a so-called “third alternative.”
When a great flood of the Mississippi River caused widespread devastation in 1927, Hoover performed the duties of what a good FEMA director would do today, organizing relief efforts and saving many lives and livelihoods. He relied in large part on private donations.
In 1928, after Coolidge declined to seek another presidential term, Hoover received the Republican Party nomination. He won in a landslide, receiving 444 electoral votes to 87 for the Democratic nominee, Al Smith of New York. The popular vote in 1928 was 58.3 percent for Hoover and 40.8 percent for Smith.
When Hoover began his term of office the first thing he did was get in a huge fight with Congress — over tariffs! The Republicans controlled both houses, but Hoover lacked the political savvy and the inside connections needed to get legislation through. In the midterm elections of 1930, the Democrats gained seats in the House but the Republicans maintained control. Then late in Hoover’s term several Republican representatives died, causing power in the House to flip to the Democrats. Interestingly, when this happened Hoover was able to get legislation passed more easily.
Hoover was president during the Prohibition era. Early in his presidency Hoover convened a commission to study the issue, but when it recommended that the Volstead Act, which was the federal government’s enforcement mechanism against booze, be revised, and Prohibition itself be revisited, Hoover did not act. To his credit, Hoover had wisely called Prohibition an “experiment” in the 1928 campaign, but at heart Hoover was more of a “dry.” In the election of 1932 the Democratic Party platform called for outright repeal of the 18th Amendment, and FDR campaigned on repeal. This might have contributed to FDR’s lopsided victory over Hoover.
As a former president, Hoover lived for many more decades and continued to serve his country. He chaired two Hoover Commissions, one under President Truman and one under President Eisenhower, to help eliminate redundancies in the administrative branch and to help make the federal government run more efficiently.
After leaving office Hoover lived for a time in a large house in California, but he eventually moved to New York City, living in a suite at the Waldorf Astoria Hotel. He died in 1964 at age 90, outliving both FDR and JFK.
Also after his presidency, Hoover spoke out publicly and privately against FDR. In my view, some of Hoover’s criticism of his successor was sour grapes, but in other respects it was warranted. Hoover thought that FDR should not have let the United States recognize the Soviet Union, and he was infuriated that so many people ended up living under an iron fist after the second world war. Hoover also was troubled by the New Deal, thinking that the federal government was getting too big and interfering too much in industry. According to the book, the elder statesman Hoover became the spiritual godfather of the modern conservative movement, influencing thinkers such as William F. Buckley Jr.
Nevertheless, after the Depression Hoover was branded a failure, and that sentiment lasted for many generations. This may or may not have been fair. I tend to think that it was unfair. In 1932 and in his subsequent presidential campaigns, FDR and his Democratic Party had been especially nasty toward Hoover. As part of a Democratic Party smear campaign, shantytowns during the depression were dubbed Hoovervilles — a term that continued to be used even during FDR’s many years of being president during the Depression.
This blaming the Depression on Hoover even carried over into popular culture. For example, the Broadway musical “Annie” features a song called “Thank you Herbert Hoover,” which is a sarcastic thank you. And in the popular song “I’m Still Here” by Sondheim, from the show “Follies,” a woman of a certain age reflects on her life, remembering living through the Depression and many other ups and downs. “I lived through Herbert and J. Edgar Hoover, that was fun and a half,” she sings. “When you’ve lived through Herbert and J. Edgar Hoover, everything else is a laugh.”
It must have been difficult to be Herbert Hoover, especially during the FDR years. He was unpopular, yet, according to the book, when everyday Americans encountered him they wanted to shake his hand. Sadly, Hoover was not emotionally capable of reciprocating these affections.
Here are some additional facts about Herbert Hoover:
- He married Lou Henry, and they had two sons, Herbert Jr. and Allan. Lou Hoover was an extraordinary woman in her own right. She had been a tomboy. In a picture included in the book, she resembles Annie Oakley! She rode horses and drove cars. She even drove coast to coast by automobile through the Rocky Mountains, at a time when there were few paved roads. The trip took a month. She preceded her husband in death by many years.
- Speaking of the song mentioned above, Herbert Hoover was not related to longtime FBI director J. Edgar Hoover.
- Those who are old enough might also recall Hoover being affectionately recalled in “Those Were the Days,” the theme song for the long-running TV show “All in the Family.”
- He had a brother and a sister.
- He was a hard worker.
- He smoked lots and lots of cigars.
- He was bad at spelling.
- He had a habit of jangling coins in his pocket.
- He enjoyed fishing in the Florida Keys, always while wearing a jacket and tie!
- Also not related to longtime White House usher Ike Hoover.
- Also, there was no connection to the vacuum cleaner.
- But the Hoover Dam, however, is named after the 31st President.
- He founded the Hoover Institution at Stanford.
- He also invented a game, called Hooverball, in which he would throw a medicine ball with colleagues on White House grounds, for exercise.
- He was in China during the Boxer Rebellion.
- He was not implicated in any of the scandals that befell the Harding administration.
- He was uncomfortable with ceremonial duties, and he was not good at face-to-face interactions with the general public, or at working crowds.
- He wrote many books, the most notable of which included “The Ordeal of Woodrow Wilson,” about the Paris peace conference after World War I.
And that’s Herbert Hoover. Before reading Whyte’s excellent biography, I knew almost nothing about the man. I found his life to be absolutely fascinating. As the author pointed out, Herbert Hoover knew every president from Theodore Roosevelt to Richard Nixon and served under five of them, both Democratic and Republican, in addition to his own term in the White House.
Even more importantly, the author estimates that during his lifetime Hoover saved 100 million lives, through his humanitarian work during and after World War I and later after the Mississippi flood of 1927. That’s something to admire. I am so glad I took the time to learn more about this important American and his many achievements.
Longtime Rolling Stones insider Bill German presented a talk today at the New York Public Library on West 53rd Street. As many Stones fans know, Mr. German wrote and edited a newsletter about the band for many years. He went on tour with them, he hung out backstage and was welcomed into their homes and hotel rooms. He subsequently wrote about his adventures in a page-turner of a book that he cleverly titled “Under Their Thumb: How a Nice Boy From Brooklyn Got Mixed Up With the Rolling Stones (and Lived to Tell About It).” Bill also collaborated on a book with Ron Wood about Mr. Wood’s paintings and drawings.
In my opinion, “Under Their Thumb” is the best book about the Stones — and trust me, I have read many books about the Stones. And in addition to being a gifted writer, Bill is also a terrific public speaker. This was my second time hearing him tell his story. Bill does impersonations of Mick, Ron and Keith, and the way Bill does this you really feel like you are there. During his presentation today, Bill shared pictures and fun anecdotes, including what it was like to hang out in Ron Wood’s basement when people like Stevie Ray Vaughn would pop by at 3 a.m., Keith’s hosting a “lunch” at 8 p.m. — and what happened when he spilled orange juice on Mick Jagger’s rug!
The room was filled with dozens of serious fans who, like me, were hanging on to Bill’s every word. Before and after the presentation, Bill spoke with his fellow Stones fans and signed copies of his books. I picked up extra copies of both the books that he had available, which I will be sending along to out-of-town friends and fellow Stones devotees Gary and Steve. Bill was gracious enough to sign these. He also answered all questions from those in attendance. I had a question of my own I wanted to ask, but I will ask that of Bill another day.
In 1981, the Rolling Stones were at the top of their game. They had a No. 1 album, “Tattoo You,” from which the first single, Start Me Up, was a smash hit on the radio. They also had videos running constantly on a brand new cable station called MTV. The band’s tour that year was arguably the biggest any rock band ever done to date, filling large outdoor stadiums and sports arenas, including the Pontiac Silverdome. (I happened to be just starting high school at the time, and was therefore too young to go to the show.) Opening acts for the Stones that tour included Journey and George Thorogood. With the exception of bass player Bill Wyman, the lads were all still in their 30s. Mick Jagger, trim and fit and with long hair, wore football pants and performed shirtless through much of the show. Then for the encore (usually the song Satisfaction, some nights Street Fighting Man), he would come out on stage wearing a colorful cape made of the British and American flags sewn together. He sang into a cordless microphone, which he stuffed into his crotch while running about the stage during the instrumental bits.
Documenting this tour was a live album, released the following year, called “Still Life: American Concert 1981.” This is not considered one of the best Rolling Stones albums, but it was the first one that I ever bought. I got it at Meijer Thrifty Acres. I remember the DJ Allison Harte talking about the album on WLAV when it came out and playing songs from it. I also remember that at first I was not hugely impressed. My biggest complaint was the album’s length. It was just 10 songs! For some reason I thought this was a recording of a complete concert. I wondered what kind of band would only play for 45 minutes? It was not until years later that I learned that the Stones played 25 or more songs on that tour, for close to three hours each night.
At some point I was in my room playing the record with all the lights off (as I did back then) and it was one specific moment in the song Twenty Flight Rock, where the other members of the band give a brief pause while Mick sings a line, that got me. I can’t explain it. It was something about the band’s ability to do that, to be so precise, so tight, that got me hooked. I learned later that Twenty Flight Rock was an Eddie Cochran song that the Stones were doing a cover version of. They also did a cover of the Smokey Robinson and the Miracles song Going to a Go-Go, which got airplay on the radio and on MTV. But it was the song Twenty Flight Rock, all one minute and 45 seconds of it, that initiated my love for the Rolling Stones.
Here are a few additional notes about the 1981 Stones tour and the “Still Life” album:
- The album contains an “intro” of Duke Ellington’s Take the A Train and an “outro” of Jimi Hendrix’s rendition of the Star Spangled Banner from Woodstock. Both the intro and outro were played at the concerts, the latter as fireworks exploded over the crowd.
- The album artwork is by the Japanese artist Kazuhide Yamazaki, based on his colorful stage backdrops used on the tour.
- In addition to the album, there was also a concert movie, directed by Hal Ashby, called “Let’s Spend the Night Together,” which was filmed at the 1981 Stones shows at Sun Devil Stadium in Tempe, Ariz., and at the Brendan Byrne Arena in East Rutherford, N.J. The movie came out in 1983 and was shown in movie theaters.
- There was also a televised pay-per-view special with radio simulcast for the final show of the tour, at Hampton Coliseum in Hampton, Virginia. In 2014, this concert was released as a CD/DVD set, titled “From the Vault: Hampton Coliseum (Live in 1981).”
- Following the 1981 tour of the USA, the Stones went on a big tour of Europe in 1982. They did not tour again until 1989.
If you get the “Still Life” album, listen to the song Twenty Flight Rock and let me know what you think. Also listen to the song Let Me Go (from their 1980 album Emotional Rescue, which opens Side 2) and tell me if you can count the number of different ways Mick sings the word “hey” and how he turns that one word into a whole sentence just about every time he sings it. You might also get hooked on the opening song, Under My Thumb, or by Shattered, or by Let’s Spend the Night Together, which is played with guitars rather than on piano.
And then there’s their live rendition of Time Is On My Side, which is played and sung with such emotion. By this time the Stones had been performing so long together that his song had real meaning for them and their fans, yet I was just starting to get to know them.
If you know me well you know that I will always stop a conversation to point out when a Stones song like “Tumbling Dice,” “Hot Stuff” or “Emotional Rescue” is playing, and I will never leave a car or bar when one of these songs is still playing. Therefore — although I already have all the songs included on “Honk” on other albums and in other collections — I still got this on the first day it came out. I love it.
The lads usually put these compilations out before they go on tour, if they have not released a new studio album. So this is one of their many “best of” albums. Others include “Made in the Shade,” “Hot Rocks,” “Rewind,” “Jump Back,” “The Singles Collection,” “GRRR!” and “40 Licks.”
I got the three-CD edition of “Honk,” which includes two discs of “greatest hits” plus a bonus CD of songs recorded live, including several with special guests. What I like about this latest collection is its blend of big hits with some of their lesser-known songs. So, for example, on CD1 you get “Rocks Off” sandwiched between “Brown Sugar” and “Miss You.” CD2 includes some of their more recent but notable songs, including “Rough Justice,” “Rain Fall Down” and “Out of Control.” On CD3, the special guests on songs recorded live include Ed Sheeran on “Beast of Burden,” Dave Grohl on “Bitch” and Brad Paisley on “Dead Flowers.”
One song you won’t get on “Honk,” though, is “Honky Tonk Women.” That’s apparently because they are focusing on their studio albums released in 1971 and after. So, this is basically highlights from “Sticky Fingers” and thereafter.
If you don’t have any Stones albums and want to get just one, consider this one. The way I roll when I get a CD like this is stick it in and hit play, without looking at the packaging first to see what song is up next.
Listen to “Winter” — one of my favorite songs from a much under-appreciated album:
Over the holiday break I caught a number of shows, starting with “Lifespan of a Fact” just after Christmas at Studio 54 on Broadway, starring Daniel Radcliffe, Cherry Jones and Bobby Cannavale, which I saw with my friend Franklyn.
Then New Year’s weekend, I attended a trifecta of shows, starting with “Sandra Bernhard: Quick Sand” at Joe’s Pub with my friend Bob; “Hamilton” also with Bob; and “To Kill a Mockingbird” starring Jeff Daniels, which I attended alone. It was my second time seeing “Hamilton,” which was a last-minute miracle. I won front row tickets for 10 dollars each on the official Hamilton app.
Then last Friday I caught “Network” starring Bryan Cranston at the Belasco with my friend Jay.
Keith Richards is 75 today. Think about that for a moment. Keith Richards is 75 YEARS OLD!!! Who coulda thunk, out of all the rock stars in the history of rock ’n’ roll, that KEITH RICHARDS would still be kicking it in 2018. And he’s still recording and playing live! The Rolling Stones are set to tour next year. It’s fucking hot if you ask me.
In honor of the occasion, here’s “Can’t You Hear Me Knocking,” from Side A of Sticky Fingers. Turn this up. You don’t have to play the whole song if you don’t want to. Just listen to the opening riff:
I scrolled down below the video to read some of the posted comments on YouTube. Here are some of the more colorful messages that people posted:
“I don’t listen to this song often. But when I do, so do my neghibors.”
“That guitar is so dirty. That guitar has been up all night drinking whiskey, smoking Marlboros, and there are two young ladies in a state of dishabille lying on the bed; and that guitar is about to go out to work and replace the transmission on a 59 Chevy Impala. That is how dirty that guitar is.”
“When you hear this song in a movie, you KNOW shits about to go down!”
“Went for heart surgery two years ago. The background music in the OR was classic Stones. I knew everything would be fine and, if by any bad luck I were to die, well that’s the way I wanted to leave this world anyway.”
Happy Birthday, Keith!
I caught the new Queen/Freddie Mercury biopic “Bohemian Rhapsody” over the weekend, and I thought it was fantastic. I was deeply moved and in tears through most of the two-hour-plus running time. Rami Malek was so, so good, and I hope he wins the Oscar for this. The movie focuses on the history of the band, their creative process, touring, dealing with record company executives, and Freddie’s private life. The culmination is the band’s legendary performance at Live Aid in 1985, where they brought their “stadium rock” show to Wembley in London.
In the opening credits Brian May (he’s the guitar player with the big hair) and Roger Taylor (the drummer) are listed as producers, so we can assume this is the their official version of how they want the story to be told. According to the movie, the song “Bohemian Rhapsody” was all Freddie. But “We Will Rock You” was Brian May’s idea, and “Another One Bites the Dust” came from bass player John Deacon.
Also according to the movie, Freddie proposed marriage to his female companion, Mary, and gave her a ring, but as he began to record and tour with Queen he became distant from her. He developed relationships with men, both fleeting and longer lasting. At one point he confides to her, “I think I am bisexual” and she says, “No, Freddie, you’re gay.” Even back in the 1970s, everyone knew Freddie Mercury was gay. But it was a different era then. This was before Ellen. Before RuPaul. Before Gus Kenworthy. Celebrities just did not come out. At Live Aid, Freddie wore a white tank top, skintight jeans, sneakers, a studded black leather armband and a thick mustache. You could not get any gayer than that, if you ask me!
For those who do not remember, Queen’s 22-minute set during Live Aid was phenomenal. It’s really easy to find the complete performance on YouTube. According to this article in the New York Times, the band had rehearsed extensively for the show and, unbeknownst to all at the time, they had someone on the soundboard turn up the volume a few notches for their performance. The crowd went wild. The movie ends at this high point.
The band had never been more popular. A year later they toured with a new album and returned to Wembley for another huge show, followed by a live album. In subsequent years they continued to record new albums, but by the time they released “Innuendo” Freddie’s health had deteriorated and touring was out of the question. Just before Freddie died in 1991, he issued a statement disclosing to the world that he had AIDS. I am still in mourning over his death all those years ago.
Of all the entertainers who died of AIDS and there were many, it is Freddie’s way-too-early departure that stings the most.